Addiction, Blogging, dating, essays, Hot Mess, New York, Recovery, Sex Addiction, Writing

Save Me From The Things I Love

restraintwithpen.jpgA woman passes on the subway platform and I eyeball her chest.   Not because of her tits, which are formidable, but because of the slogan on her t-shirt: Save me from the things I love. I mentally collect subtitles for this blog, and that is probably my favorite so far.

There are many things that I love in spite of the consequences of loving them; from difficult men to risky narcotics, my favorite pastimes are the hazardous ones.  Even this blog is dangerous; it’s seeded with some unvarnished honesties, and as my sponsor likes to say, the more you tell the truth, the less people will like you.

I started writing the material for WYSD in 2013, after Sketch moved out.   I hadn’t just been broken up with, I felt like I was breaking up myself, like a voice over a shitty cell connection.    The blog, live since December of 2014, was a basket to put the pieces into while I drifted vaguely around New York humping strangers. When I write the blog, I feel the things that I want to feel in a relationship—honest, real, connected to other people. So I’ve kept it going. Almost five hundred pages of material later, it’s helped me to pin carefully constructed narratives onto a messy series of things that have happened.   It’s cheating, and I know it; the stories I tell are always true, but they’re too neat, too linear, too one-sided.   I bury the nuance in unpublished footnotes, with all the things that don’t fit my version of events.

Here are a few things that don’t fit the story I’ve been telling you: that the person I used to be still kicks to be let out, that I sometimes feel homesick for the fetid, roachy apartment where my ex and I fought and fucked and loved each other, that yesterday I had a meeting in the building where Sketch works and it made me miss him until I felt like sinking to the sidewalk and howling.

I thought if I only could find someone new to love I would stop missing him, but that was a lie.   Yet when I say these things here and hide them from Connecticut, my new boyfriend, I feel like I’m talking behind his back, and I don’t want that to be part of the story. Because this is a story about finally being truthful with someone, and the blog doesn’t fit.  It feels disrespectful, not just to him but to my newly-formed conscience, even as I continue to merrily type, self-justifying with practiced ease.

Connecticut and I are a mess, the both of us. We go to the Astoria carnival and play that game where you punch the punching-bag as hard as you can for points and, ultimately, glory. I have an overinflated sense of my own strength and I drop confidently into a fighting stance and throw a right, but I don’t stand far enough back and the bag hits me squarely in the face on the rebound.   Actions, and their equal and opposite fucking reactions.

Connecticut steps up to the punching bag to avenge me, decides to do some sort of spinning kick in his flip-flops and whiffs it, ends up on his back, bleeding at the elbows.   We have the best of intentions, but we both end up scraped and limping, felled by a children’s game.

We match. I am so glad that I found him. And if I sometimes have doubts about things and if I have fears, and if I sometimes look at my yoga teacher and want to have secrets, the blog makes it too easy to air them, to feed them and to keep them alive.

I don’t want to have things that I am telling everybody but him.

So I am breaking up with this blog.  It’s not you, it’s me.   I want to tell you that this is just a break, but that’s cowardly, so let’s not pretend this is temporary. Let’s just split up and walk away. I loved you, I really loved you. Leaving doesn’t change that. I just don’t think that you’re good for me anymore.

I write this post, and when I get up, I expect to feel lighter, but instead I feel like I’m carrying a dead pet in my arms. Stricken. Lost. I lose my shit and cry on the F train on the way home from school, losing my composure MTA-style for the first time since Sketch left. Supposedly, the train is where most people get their grief-weep on, because there’s nothing else to do while the subway shunts you to your destination, nothing else to look at but those advertisements for summertime breast implants, and you feel anonymous behind your sunglasses. If you drip, no one comments.

I get off at Broadway-Lafayette so that I can walk around the pet store there; my class hamster needs food, and looking at a bunch of guinea pigs and tortoises usually calms me down. But all the tanks are empty, the bowls turned upside down. They must be cleaning them.

I get a text from Connecticut; I told him that the blog is coming down, and he writes that I can always come and post things on his website . I feel sick, like someone tried to take me puppy-shopping with the dead one still cooling.

It’s not his fault, but I need a minute. It’s the distance from awareness to acceptance that hurts like a motherfucker, and I don’t want to tell Connecticut any of this, because I don’t want him to feel bad.   You can’t complain to the person you love about having to care about his feelings; I get to care about his feelings. I am amazed that I even can. Sketch was mortified by the existence of this blog, and I never offered to stop writing it, even though I loved him, and love him still.

Sketch and Connecticut never asked me to choose between having the relationship and writing about the relationship, and I’m deeply grateful to them both, and to all the men and women that I wrote about in this blog. Even that one fucker who threatened to sue me. I learned stuff from each of them, and it was interesting to try to come up with their pseudonyms.   If I’ve offended anyone in pursuit of a good metaphor, if protecting your privacy came in as a second priority to telling the story of how we got it on, I humbly apologize. I’ve done, as always, my best, even as it becomes apparent now how insufficient that really is.

So now, how to turn it off?   I imagine taking off the shovel necklace I have worn around neck for the last year and hurling it dramatically into the river, right here by the snags and rips of Hell’s Gate. But those Viking-funerals always go wrong, rings and photographs and small pets ending up marooned on the rocks along the East River. I think about tearing the whole thing down with my bare hands; I could delete the blog and forget my password and erase the files. But that’s just the drama talking. I think I will let it stand. Besides, the blog is subcutaneous. It’s under my skin. It’s the best thing I’ve ever done, and the most honest. Writing this made me happy. So thank you for reading it.

But the story here has reached an endpoint.

There will be other blogs. You’re not done writing, my friend Gabby reassures me.  I have a rough time with endings, and always read books from a series in the backwards order. I’d rather end with Woodrow Call and Gus McCrae still alive and fighting Indians, with Roland and his gang still intact and dreaming of the Tower.

And as for me, the school year just ended, and all the other teachers are glad to see the backs of the retreating kids, to get on with their summer travels, but I just feel lost and alone and left behind.

But the bald fact that it hurts doesn’t make it any less right to end it. Because maybe that’s what this blog has been all about, really. I thought it was about Sketch and the breakup and finding love, and it wasn’t really, and I thought it was about finding my way back to writing because nothing sucks harder than being a something that doesn’t do that something. But that wasn’t exactly the whole story either.

Maybe it was really about finding the space to care about another person enough that I don’t need to keep this room of my own open, whispering my secrets to the walls. Maybe it’s a mistake, but love always seems to happen that way, by accident and with plenty of pratfalls, like a punching bag that hits you back on the rebound.   The challenge for me has never been embracing something or someone new. I’m good at that part. The trick has always been letting go of these other things: these things I can trick myself into believing I can not live without, these things that cost me so much. These things that I love.

New York, 2016

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“Writing is the only thing that, when I do it, I don’t feel I should be doing something else.”

–Gloria Steinem

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Addiction, dating, Distance, essays, Love, Sex, Writing

Comfortably Kinky? Plus: A Guest Post by Connecticut

FullSizeRender-27How long does it take to get really comfortable with your new lover? The sort of comfortable where you can stop hinting and just flat-out ask for a dog collar, or for the angle you like the anal at, or for the names you like to be called? The kind of comfortable where you text a reminder to bring zip-ties over the same way you’d request a gallon of milk? I would argue that it doesn’t take that long to build a routine around kinky, but it does a few months to stop feeling a little weird about it afterwards, to ease up on all the hyper-vigilant monitoring and just enjoy the good fortune of finding someone who likes the same shit you do.

Last week I wrote about insecurities, thick on my hull as fucking barnacles; maybe this is how long it takes to start to shrug them off, to pee with the bathroom door open because we’re in the middle of a conversation, to be OK with being an imperfect person in an imperfect shell and still want to tell Connecticut that he owns me.

So here we are, after three months of applying my wriggliness to this other human, and it seems like a milestone. Maybe because, inured as I am in 12-step culture, there is a mythos that surrounds the 90-day mark. The recovery rooms give you a token after 90 days of not drinking (one that I hear certain predatory bars will accept as drink-payment for falling face-first off the wagon). After 90 days, you get invited to go up to the podium and talk a whole bunch about yourself .  Three months has weight. It has significance.

Some of this is probably rooted in the folk-science of it taking 90 days to forge a new habit. Supposedly, it takes less time to break an old habit than to make a new one; I’m not so sure. It’s been eight years and I still want a cigarette.  But this week marks three months since Connecticut finally crossed the vast distances of the couch to put his talented hands on me, and he has written a guest post for WYSD to help mark the occasion. I feel it’s only fair that he gets a turn at the mic.  You can read my version of the same events here.  They say all stories have three sides: your version, my version, and what really happened; this doesn’t mean narratives have to compete, just that it’s nice to let someone speak for himself once in a while.

So, guys, meet Connecticut, telling his version of the first time he kissed me.

No need for introductions, I suppose.

I remember sitting on a couch, perched on the edge. My legs were spread wide, elbows planted firmly into the meat just above my knees. I had fashioned myself into a pyramid of bones. It was unconscious, but looking back, I was attempting to both take up space and offer no softness: a defensive position. 

If you ever catch yourself using the term “man-spreading,” know that you’re talking about the posture of fear.

Two or three feet away—easily within arm’s reach—she was lying, all curve and happy slackness, dress creeping up to reveal legs I was too frightened to touch. Those two or three feet could easily have been hundreds of yards of minefield and barbed wire, the way I was reacting to it.

I had had some bad experiences. I did what I had been trained to do when I was a child: constrict. Control. Clamp down, dig in and stubbornly refuse to do anything that might open myself to harm. There’s a decent amount of hurt in my life-story, both real and imagined.

Perched on the edge of the couch, I begin to try to explain. After chuckling at me and throwing me her beautiful, slightly skewed smile, she pointed out the ridiculousness of my posture, my sweatiness, and mostly my use of air-quotes. I tried to tell her how I put my heart on the shelf for safe-keeping. I hid it in the back of myself, where the seldom-used cans of spices go in a pantry. Perfect spot for my emotional core, right next to the Dillweed. She didn’t seem to get what a big deal this is. And that’s alright.

I couldn’t tell her what a big deal it is, because to do so would be to acknowledge that I a) have feelings and b) have them in her direction. It would mean breaking down a dam, and letting all this… stuff spill out.

This stuff, roughly speaking, was an amalgam of stolen glances and perceived understandings. Intimacies. Secrets. Seeing her across a crowded room a long time ago, bright blue eyes under an Annie Hall hat. I remarked to a friend at the time that I thought she was cute. Not that I’d dare do anything about it. Then, months later, hearing her talk, sharing that I sometimes feel like a werewolf and her saying she knew what I meant. I shook her hand and felt a warmth that went beyond mere physical contact. Not long after that, seeing her in her own neighborhood, on her own soil. Telling her about myself, indirectly, as I addressed a room full of people. Watching her—and mostly just her—out of the corner of my eye as she laughed at my self-deprecating remarks and nodded sagely at the best understanding of myself I could muster.

And then, friendship. Long and slow acquisition of knowledge about one another. We shared coffee and the giddy joy of discovery. We were—and still are—sometimes like two archeological digs that happen to be next to each other. “Look at this weird thing I found from the Teenage-zoic period!”

All of this was rumbling around behind me, as she told me to sit like a normal person. Not long after that, I said “Fuck it” and managed to cross the two or three feet that felt like miles of wasteland. Turns out it was just two or three feet after all.

There’s been much since there. Maybe I’ll write about that one day. For now I’m just enjoying my good fortune.

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It’s really hard not to annotate, to add marginalia, to clarify with tiny cartoons.  But maybe 90 days is the right amount of time not to need to chime in every second with my own thoughts and opinions.  His side, my side, and we find a way to touch each other, in the middle.

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Addiction, Art, Blogging, Breakups, Consequences of Blogging, dating, essays, Getting Honest, Girls

Still Addicted: The “Ex” in Sex

images-77Sketch calls me. And he calls. And he calls once more.

If your sexy, charismatic ex calls three times, I think there’s some rule that you have to call him back before he appears in the bathroom mirror behind you, right?

In the messages, he sounds like himself: funny, affable, familiar. But there’s something just underneath: hurt and bewilderment and teeming irritation that I can see like something glimpsed moving beneath the ice on a pond.   In the last message, he tells me he doesn’t know what to do, or why he can’t reach me, and that he might just come here.

I live on the ground floor of my building, and I find myself peeping, heart kicking in my chest, out the windows.  Afraid, and also feeling the other thing that I always feel when my ex is around. Over a decade, and my pelvis still tilts at his signal like a satellite dish.

Sketch has never been the type to come battle the bushes to imprecate through the window, so I don’t know what to make of any of this newfound passion. To be honest, I didn’t think he was invested enough to get on a train and cross the East River. I figured in the fullness of time, I would have to explain why I vanished, but I thought I would have  months of head start before I had to introduce him to the new boyfriend.

My new boyfriend, Connecticut: sweet, available, clumsy as shit. He fell in my bathtub the other day while we were taking a shower and scared the fuck out of me. Bruised his ribs. It seems I’m no longer the only one around here losing fights with furniture.

It’s not fair to compare him to Sketch and I know it. There’s no decision here, I tell my friend Courtney. It’s like being asked do you want a horse or a unicorn. Unicorns are amazing but you can’t actually have one, because they are not real. Once I realized that Sketch wasn’t actually an option, it got a lot easier to pick.

Sketch texts me: I read your blog, he says. What’s going on? Who is Connecticut?  

He texts me a picture of a coffee mug I once gave him that says, You are my person. There’s nothing like having your own coffee-mug promises thrown back at you. The guilt feels like I’ve swallowed teeth and they are chattering now in my belly.

I’ve written that finally moving out and moving on from a relationship like the one Sketch and I had feels like watching your childhood home burn to the ground.   But this is worse. This is watching your childhood home burn to the ground with your puppy still inside.

And there is nothing I can do, not without undoing a lot of the things I have already done. I want to go and rescue him, but all I have is this flamethrower and everything I could say is incendiary. How is this possible, I want to ask him. I am astonished by his astonishment. He had no idea, my friend Courtney says. When you told him there was someone else. He didn’t really believe it.

Meanwhile, Connecticut, my someone else, lets me pick what we do on Saturday. Sketch never used to let me pick the thing to do; he’s still upset about that time I made him come with me to see 12 Years A Slave; he rescinded my picking-privileges indefinitely after that one. Which I didn’t think was fair, as we had just gone to see Tim’s Vermeer and that film is literally two hours of watching paint dry.

Connecticut lets me pick. We go to Figment, the big participatory art-fair and weirdo-fest on Governor’s Island. Making our way past a group of people getting married in Midsummer’s Night garb and a bunch of acrobats in body paint and a man driving a giant toad with a throbbing base line, he posits, I don’t think I’m cool enough for you. He is, of course he is, but it’s nice that someone thinks I am cool.

He lets me pick, even though the East River ferry makes him a little queasy and the sun will wipe him out for the entire next day. We eat trendy popsicles on a pair of old-timey porch rockers, and talk about everything and nothing. When we go home, he will make me come until I cry.

It feels honest, which is a great feeling considering the fact that I am a lying sack of shit. I tell people that I told Sketch about Connecticut, but this is a lie. I told him that I was seeing someone, and that I had feelings for the person, and I deliberately omitted all gendered pronouns. I let him think it was a girl; it was the same week I made out with that girl from yoga, and I gave him enough details about that so he would think that was what I was up to.  All the while telling myself that we had an open relationship, and that leaving him with these half-truths would be less painful to him. I am a self-serving asshole, because really it was about making it easier for me to leave. It was about buying time so I could make a slick getaway.

And it was about leaving the door open just a crack in case things didn’t work out with Connecticut. Let me just be honest here, if no place else. It’s hard to look behind you and see that you can’t go back the way you’ve just come. How do I know I’m going the right way?

But there is no other way for me to go now but forward. I read the blog, Sketch said. For months now, the blog’s been all about me falling in love with someone else.

He will never forgive me.

All the guilt is here now, a wall of it, and I can’t face him. This person I have loved longer than anyone– the phone rings with him on the other end and I handle it like a pillowcase full of snakes, carrying it from the room with my thumb and forefinger to go throw it in a drawer.

Eventually I text Sketch, saying exactly what everyone everywhere says when they feel guilty about hurting someone they love: I love you but I need some space. Because I can’t. I can’t talk to him, I can’t see him right now. I don’t trust myself with him, the way I don’t trust myself around someone else’s Xanax. I can list for you all the reasons why it’s bad for me and still want it anyway.

So I hold myself back, and Sketch is at the windows of the burning house that is our relationship, and I pray, hard, that someone else will come soon and rescue him.

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Addiction, Bad Things, Blogging, dating, Men, Queens, Relationships, Sex Addiction, Writing

Adulting is Hard

FullSizeRender-26I settle into my new digs like fog, my belongings dustily swirling around me. This newly purchased Queens apartment makes me feel like I’m in that movie where aborigines come into first contact with modern society; I am overexcited by the jetliner flush of the new toilet, and have made a god out of the dishwasher. I’ve always loved the sound of the dishwasher, it’s my favorite white-noise setting when I can’t sleep and need sounds to block out the terrifying podcast of my own thoughts. Now, I stretch out on the couch and listen to a machine wash all my plates. Where I once used the same toast plate and teacup over and over until they were too sticky to lift off the counter, I now select a clean glass each time I want a beverage.  It’s crazy.   I ride the elevator (the elevator!! It’s like getting a piggyback ride for you and your shit every time you want to go to the laundry room!) down to the basement to wash my blankets, and there are signs down here in 400-point font reminding me not to play in the laundry carts. I’m not sure how you play laundry carts, but now that they told me I can’t, it’s all I can think about.

Things are changing, but they also stay the same. Barely 72 hours of homeownership and I drop a decorative conch shell in the bathroom and manage to smash the ceramic toothbrush holder that juts out of the wall. IMG_3801.JPG  I have noted before that everything I own looks ready for a street rumble, dangerous and jagged. And yet it’s quiet here; my one-bedroom place faces the garden and there’s no one out there to fight but this one asshole bird that makes a mating-racket at one in the morning, and maybe myself.

I move in on a Saturday, Connecticut and these four dudes I emotionally blackmailed carrying my furniture down four flights of stairs, shunting everything out of the apartment I shared with Sketch for years and years and into a moving van. I feel like I should leave a message written in all the bedbug powder I’m leaving behind, some kind of warning to the next inhabitants: This apartment is haunted and also bugs live here. I run my hands over the murals that Sketch, my charismatic nightmare of an ex-boyfriend, left up on the walls; I kiss them on the lips. I love you, I tell the paint.   The ghosts, in return, say nothing.

Love him or not, this week I unfriend Sketch and his family on Facebook so that I can make the announcement that Connecticut and I are in a relationship; then I stand back a little to give the Internet the space to react to this weighty news, covering my ears and waiting for the blowback.

The Internet shrugs.

People are busy living their lives. There are adults here in my new complex, busily doing laundry and not playing in the laundry carts, and I feel disguised among them, clearly fraudulent and yet proud of myself anyways. I fix a mortgage over my head and blink out of the eyeholes. No one screams when they see me coming, although I do get a couple of odd looks as I pedal my piece-of-shit bicycle, dead leaves ticking in the spokes and the frame tacky with duct tape, down the sidewalk. My name is on the miniature license plate.

This is important, because this week I’ve been finding that I don’t exactly recognize myself. A week of living here, and this is the first time I’ve opened up my laptop. What if I can’t write here? What if writing was contingent on living in that sticky, haunted walk-up, a punk-rock Miss Havisham waiting for Sketch to come back for me? What if I have unwittingly traded in the place where the writing comes from for a dishwasher and a normal boyfriend?

Connecticut comes over, and the next day we drive to a Target to look at rugs for my new apartment, and I help him pick out a dress shirt for work, and inside, Tippy is screaming that she doesn’t even know what is happening here. Who is this adult and why am I wearing her pants?  I bike past the old place to drop off my keys with the super, who surprises me by giving me a stiff, one-armed Ukrainian hug and wishing me luck, and that’s it; I feel like there should be some ceremony here, some number where the entire ensemble comes from the last ten years comes onstage for a final song. But there is nothing. I look at my phone, because if Sketch was to call me at this moment, I would answer. I don’t know what I would say, but I would answer.

Instead I peddle away, wobbly. My adult self doesn’t quite fit. It’s stiff at the joints. Connecticut drives me to Bed Bath and Beyond, where we shop for a dustpan and a new garbage can. Get me the fuck out of here, Tippy internally rages. Connecticut and I go back to my place and fuck, and I talk him into peeing on me, because I need the bed, the bath, and the beyond. My inner addict and my inner adult duke it out for control, and when Connecticut and I go to Home Depot to buy the shit to hang my pots and pans rack, we also buy anchors for the bedroom wall to properly tie me down as a compromise.

I need to be restrained here for a little while. I’m not to be trusted, I want to tell everyone I pass. You can’t trust me to pay a mortgage like an adult. You fucking can’t trust me not to run. Sketch calls, and I let it go to voicemail, and I talk to Connecticut about the voicemail at dinner.  But I do not tell him: You can’t trust me not to hurt you.  But he does. Foolishly, the people here trust me not to play in the laundry carts, and it’s the trust that keeps me from climbing in and taking off.   It somehow staves off the impulse to ruin everything, before it all falls apart anyway, at least for the fragile moment.

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Addicted to attention, Confessions, dating, essays, Labels, Sex, Writing

Relationship Status

IMG_3792Connecticut has a lot of female friends. All those sexually tense months before he finally reached for me, I thought I was the only person getting witty text banter, but that is not the case.  There is this woman he’s close to, and if I was uncharitable, I would say that he’s been leading her on; she clearly likes him, and he hasn’t told her that I am his girlfriend.

I get it. I do. I get it from both their perspectives, but it profoundly bums me out, that we’re still a secret to some people.

The Facebook relationship status is a pretty good indicator of willingness to go public. My friends list cuts across a broad spectrum of people I know and have known, many of whom have had their genitals in my mouth at some point, some of whom would be upset to learn about my new boyfriend through fucking Facebook.  And then there’s Sketch’s friends and family: I haven’t deleted any of those associations yet, and I am friends with Sketch’s mother, and she is only friends with twelve people, and it feels mean to unfriend her. Or Sketch’s sister-in-law: I’ve played with her daughters, Sketch’s nieces, since they were babies. I used to crawl drunk into their play-tent. I used to give them hazardous, galloping piggyback rides down the stairs.

You never get to break up with someone else’s kids—you just completely vanish on them and they are left with further proof that adults are as unreliable as mirages.

I like seeing these people on Facebook. And I like seeing Sketch’s friends. It makes it feel less like a whole piece of my social circle just got sheared off and flung into space. Even if it’s just assigning a like to a post, it feels less like exile.

The habits of being single and hoarding crumbs of attention, like an orphan or a refugee, are hard to break. So I get why Connecticut is hesitating to tell this woman about me.

Is it important to you that I tell her, he asks. And I don’t want it to be my decision, so I tell him to do what he wants, but there’s no way to tell someone to do what he wants without sounding petulant. She’s moving to Southeast Asia in a few weeks anyway.   This woman is alternate reality Tippy, traveling and doing cool shit while dragging around feelings for Connecticut. That’s the way it could have gone for us, too. I could have gotten a lengthy email from him, explaining a new relationship, and I would have wanted to kill him and then myself even as I kept my voice level.

I walk around the next day feeling insecure and uncertain, and hating it. I didn’t have any of this to deal with, back when I was splitting my time between Connecticut’s bed and Sketch’s; if one of them was too busy to pay attention to me, I just called up the other. I always had a back-up plan.

I hate this, I tell Connecticut. I hate feeling this way. Jealous, and scared, and insecure. It’s the first time in our relationship when I have ventured a look down, and I don’t care for the view. It all feels like a preview to a plummet.

He goes to see this woman, who is getting ready to move and thus selling a bunch of her shit, and he comes back with a pair of creepy lithographs and the news that he told her about us. I told her about you by name, Connecticut says. She and I know each other, peripherally, from around the neighborhood; she told him that she was happy for us.

That weekend, Connecticut and I go to the movies to watch superheroes punch the shit out of one another and I pull snacks out of hidden compartments in my bag. My life is full of hidden compartments and trap doors, it seems like; I love a hiding place, even if I’m not hiding anything more subversive than carrot sticks.

Connecticut checks in on Facebook, tagging me as being with him. He writes: FINALLY. As in finally going to see this movie that apparently everyone else has seen already, but to me, it’s finally, as in finally time to just come clean with everyone, and with ourselves, that we are together and that we love each other and that there isn’t anybody else.  It’s kind of a moment.

Our check-in gets seven likes.  I’m not sure our friends get the significance.

We are in bed that night when I look at him and tell him, “You are my person.” Followed by a flood of remorse and feelings of disloyalty. Because Sketch was always my person, and that’s what I called him, especially once I could no longer call him my boyfriend. My person. The human that goes with me.

It’s hard, in the new relationship, not to use the vocabulary of the old. Because that is all I have. I am trying hard to write something new, but when I look at Connecticut, I sometimes think that his eyes crinkle like Monster’s, and that he is smart like Kick, and that I love that he reads books, like Bunny. He reminds me of the men I have loved already, and so I know how to love him, but he is also new, and unknown, and frightening. It’s the fear more than anything that makes me realize: holy shit. I am in a relationship.

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Addiction, Breakups, dating, Open relationships, Sex, Writing

What Size Is Average

FullSizeRender-24Connecticut, the love of my life, describes the size of his dick as average, and that’s when I realize I have no idea whatsoever what that means anymore.

My frame of reference is completely bent; I no longer know from normal. My ex-boyfriend Sketch has one of those dicks you tell your friends about in the hushed tones reserved for talking about men who come with a kickstand. The kind of dick to launch a blog over. Big. Too big for me, if I’m being totally honest. I know they say all cars fit in the garage, but I suspect that they are men who’ve never had something rammed against their cervix a few hundred times like a medieval war instrument.

A few weeks ago, back before I decided to stop making the same mistakes, I was over at Sketch’s studio, and he was telling me something I wasn’t particularly interested in, and eventually he asked why I was so distracted. He wasn’t wearing any pants, and even flaccid, there is a lot of him to consider. I told him truthfully that I was thinking about his dick, and he got annoyed. He says I’m too obvious sometimes.

I get home from Greece this week and Connecticut comes over to return my pet rabbit. He babysat her while I was away, because he’s a an actual nice person that you can trust with things. Upstairs, the rabbit does frantic homecoming laps of the familiar furniture, and Connecticut takes me to bed, and we don’t climb out until many, many orgasms later, when it is dark and my hair is a storm cloud, and we’re both so dehydrated that our legs cramp. Is it average to have four hours of sex on a Tuesday? I have a suspicion that the answer is no, but this is exactly how much attention I require. I also need sleep, jet-lagged all the way to my soul, but still we reach for each other, for one more orgasm, begging the clock for a few more minutes. In between rounds, we trade minutiae of the day, swap jokes. Why does a walrus like Tupperware? Answer: he’s always looking for a tight seal. I don’t want him to leave. I wrap my yoga-solid legs around him and squeeze. A tight seal.

He tells me that while I was in Greece, he went out with a girl for coffee. Sort of a test, he says. He’s trying to feel around the outlines of this unconfirmed, unlabeled relationship we have, to see what his own boundaries are. Does he want other people? I just want you, it’s mostly just you, he says in the dark.

I check to see if I am jealous of his coffee date, and I am not. Mostly. Mostly just you. That’s how I feel too. I called Sketch after I got back from Greece, and he bailed on a meeting to come out and talk to me. We exchange rapid-fire news until he has to go back in, promising to call me later. He doesn’t, and that’s fine, because I am in bed trying for a new record with Connecticut. After a certain number of orgasms, it kind of starts to hurt a little. And still, I need his skin on my skin, his body rocking mine.

It’s mostly Connecticut, and we are sliding towards a label here, but I will see Sketch on Saturday, and I haven’t decided if I will sleep with him or not.  I can’t get right with the thought that I may be saying goodbye to his ridiculously outsized penis. Or, of course, to him. When I think about not talking to him anymore, I feel the way you would feel if you had to watch your childhood home burn to the ground. It’s not that I needed to live in that place, it’s just that’s the place where I learned to write my name, where I keep all the totems of my smaller, clumsier self.

But it doesn’t matter. Sketch asked me a long time ago, back when we decided to see other people but to still sleep with each other, to let him know if things change, and things have changed.

I still haven’t told Connecticut that I love him; I may end up telling Sketch first. It would be easier, in some ways, to tell Sketch.

What I have with Connecticut is not an average relationship, but then my average relationship was always purportedly monogamous, the kind of monogamy where you claim someone hard and fast right up front at the beginning, mine, the way some kids will lick an entire candy bar so no one else can ask for a bite.   My average relationship: a chocolate shell of promises filled with a creamy nougat of serial cheating. Greedy and impatient, I’ve cheated on most of the people I’ve called boyfriends. Sketch has the same issue; we told one another right up front all those years ago, when we first met—I’m bad at fidelity.

Connecticut isn’t demanding monogamy. He’s not demanding anything. But I love him, and it makes me want to do things for him that are hard, like go out on epic quests where I wrestle sea monsters, or tougher still, where I don’t sleep with everyone. Behind his back, I secretly call him my boyfriend. He tells me that he told his dad about me, and I am inordinately proud of this fact, that someone’s dad knows my name. We tell each other: you are my favorite.

The things other people call normal can feel strangely subversive. Connecticut comes over on a Monday after work, and takes off his tie while I finish making dinner, and I may as well be wearing a latex tuxedo and a strap-on for how perverted and strange it feels, to do these regular domestic things. Part of my personality looks on in horror and dismay, wondering what is happening here, where I have gone and when I will be coming back, and  also why I am smiling so much these days.

They say the definition of insanity is repeating the same things and expecting different results.   A friend of mine has it needlepointed on a pillow: Make better mistakes tomorrow.

I want to tell you something, I tell him after dinner. But I want to tell you in my room, in bed. I want to tell him in the dark: that I don’t mean it anymore, what I told him two months ago about not wanting to be in a relationship, with him or with anyone.   Things are different now, I tell him. Because I love you.

Is it an average thing, to simply find someone you want to cook dinner for and be naked with, who will tell you that they love you too? Who will love you even after you declare that you are a monster, one who still wants to fuck girls and who thrives on attention from men like it’s sunlight, who hasn’t quite let her ex go all the way, who ruins things, who is crooked and weird and broken?.

Fuck it. If these are average things and wanting them makes me less interesting, so be it. There will still be stories. There will always be stories. And at least I know that if I ruin everything, and if he leaves me, I will write about it until I can breathe again.

 

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Addiction, Bringing Yourself, Confessions, dating, essays, Sex, Travel

Brace Yourself For Impact

FullSizeRender-19This is the week I realized, with the dawning horror one feels when one has left one’s wallet in the backseat of a hastily departing taxi, that I am in love with Connecticut.

He doesn’t know that I love him. I hadn’t noticed it myself until a few days ago. A friend of mine, hosting a fundraiser in Astoria chockablock with attractive weirdos, asked me to read a piece from the blog as part of the event. Normally, this would be a cherished opportunity to try to speak my filthiest lines directly at the cutest person in the room, but instead I invite Connecticut to come along to hear me. I contemplate reading something about him, because it would be sort of easier to tell him that I love him through a microphone with a bunch of people around; I could be offhanded about it, love with padding.

But I back down at the last moment, and read something from the archives, making conspiratorial eye contact with everyone except Connecticut. The piece is about someone I really liked—until I didn’t like him anymore. This is the thing that scares me: I don’t trust my own feelings, which blow around like garbage in the street, like plastic bags, ghosts of last week’s groceries wrapping themselves indiscriminately around people and tree branches and utility poles alike. I love Connecticut now, but what happens when the wind changes direction?

So I can’t tell him, but it feels good to stage whisper at you guys, I LOVE HIM. Sometimes I text it to him at times when I know the text will not go through. If the subway was to reemerge into daylight and restore my broadband access unexpectedly, all would be lost.

I ask him, Does it freak you out that I write about you? He answers that he is happy to let me blog in private, trusting me not to write anything that would hurt him. He tells me he loves that I have something that I love. And when I stand at the microphone and read about another man putting the dick to me, I chance a quick look in Connecticut’s direction, and he is laughing along with everyone else. And that is when I know that I love him.

That night I go back to his house, and for the first time, I am able to sleep next to him. We are like two porcupines, so bristling with defenses that it is amazing they can possibly find a way to make more of themselves, yet somehow Connecticut and I have managed to line up our soft, vulnerable underbellies. You’re safe here, he tells me. Sometimes when he talks to me like this, I have to duck my chin like a child confessing to a lie. It’s honesty, not deception, that makes unable to look him in the eye.

He drives me to the airport the next day, just like a real boyfriend. My rabbit is in a cage in his backseat, staying with him for the week. It’s hard to let him drive away without saying anything. “I love you,” I say to the rabbit in the backseat, but really secretly to Connecticut. I kiss him goodbye a little sloppily; the car is triple-parked.

On the plane, there is a video that shows how to prepare for an emergency. Remove any sharp objects from your pocket. Take off your high heeled shoes. Hug your knees and brace for impact. Relationships should come with some emergency instructions too, illuminated arrows to show you which way to go. A stewardess, unencumbered by high-heeled shoes or sharp objects, would tell you which things around you float.

On the plane, there is a handsome black man in the seat next to me; his pecs and biceps fill out his t-shirt exactly the way that I like. But I do not chat him up. I let him have the armrest.   I land in Athens, a city where new things are built around the ruins of the old, and I relate to it. Athens knows it’s OK to cling a little to your past. Your past is important. She puts plexiglass around it, to protect it from the people coming out of the Starbucks next door, and goes about her business. Ten minutes from the Acropolis I pass a sex-video shop, and the monitor in the window is playing a cooking show; langoustines have never looked so dirty.

Everywhere here are men with smiles full of white teeth, and dark, soulful eyes, and beards, and no jobs.  Precisely the kind of men that make my knees part. Normally I would have tried to cram two or three into my vagina by now. But I am thinking about Connecticut, and whether I will tell him that I love him, and how that changes things. I even fly to Lesbos without referencing lesbians every eleven seconds. On the island, the rush of attention from some gorgeous Greek soldiers, any of whom I would ordinarily want to break international laws for, is enough to wake me from a jet-lagged stupor when my friend and I stop to ask them for directions. But it’s not enough to shake me out of loving Connecticut.

It’s fucked up.

I get a long-distance text from Sketch; he’s graduating from yoga teacher training this week, and he has some work in a show. He sends me a picture of himself, standing in front of a drawing of a woman with a flower in her hair. It is beautiful. He is beautiful. And still I love Connecticut.

I want to be like Athens: preserve my ruins, and build around them. Whatever Connecticut will end up being to me, he will not be what Sketch was, and that’s probably a good thing. I don’t need to take all the worry beads out of Sketch’s jar and dump them into Connecticut’s.

When I get back, we should talk about us as an Us, I text him, and then want to grab it back, but it’s already gone. Too late. I drive past goat farms and olive groves, the landscape choked with wildflowers, and I think about Connecticut telling me, I’ve got you. You are safe.

What the fuck would happen if I had a functioning adult relationship where all my needs were being met? More importantly, what the fuck would I write about?

No idea. Maybe I’ll finally start that blog about bathrooms from around the world. I am riveted by weird public restrooms, like the one in the airport in Bolivia that had one giant communal roll of toilet paper outside the stalls.

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Why is the toilet inside the shower, Greece?  Everyone pees in the shower, but you don’t need to be so obvious about it.

I came to this island to try to do Something Good, to think less about myself.  To clean up the beach and try to clean up my karma a little.  To sort supplies for the Syrian refugees and try to sort myself out.  My friend and I buy 300 pairs of women’s underwear for the refugee camp in Moria, because clean underwear is in desperately short supply. The soldiers won’t let us past the first checkpoint, but they accept the panties smiling handsomely, promising to deliver them for us.

And it doesn’t help. It reminds me of my self-centeredness without alleviating any of it. Molyvos, where I’m writing this, is beautiful, but I can’t leave myself on another shore, as badly as I want to. I think about Connecticut, and I silently count all the sharp objects.   I love him uncomfortably, and with five thousand miles between us, I hug my knees, bracing for impact.

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Lesbos.  It is nice and you should come here.

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